Premium – Shonda Rhimes Returns to Live TV at the Kennedy Center Description of: SHONDA RHIMES RETURNS TO LIVE TV AT THE KENNEDY CENTER By MICHAEL PAULSON, February 6, 2020 10:38 a.m. She was unavailable for an interview.
Published: Feb. 6, 2020
(New York) — The writer, producer and program architect Shonda Rhimes, famous for her fusion of television dramas series like Grey’s Anatomy and Scandals, and, more importantly, to change the balance of lead actors on television and make it more equal for women and people of color, returns to Live TV at the Kennedy Center on February 24. Her previous appearance, with Hank Willis Thomas and Njideka Akunyili Crosby, was The Lucky Ones, a 2015 rectangular stage installation on a subject with roots in 2001.
Ms. Rhimes announced the Live TV event as part of a Feb. 6 telephone call with Jonathan Baird, the artistic director of the institution, to discuss what this name appears on the usual stage of the Kennedy Center Concert Hall.
“I always want to do something that is really crazy and new,” Rhimes said. How did you land this thing? Going to do something reasonable because that’s what’s being requested seems to seem like it would be deeply boring for me.
Nevertheless, the title and the concept of sheaf (linear augmented reality, or “phygital,” performances streaming online) intrigued Rhimes. Kennedy Center’s experimentation of its future building use the word, and she liked interrogation as a theme because of where she is now.
“I feel a lot like I’m sitting there, not really knowing what comes next, and this feels like a time we are all questioning who we are,” she said.
As for the specifics, Rhimes said she did not know. Live TV received an email from the Kennedy Center containing queries she sent without much detail, so they felt more like icebreakers.
“Can you think of a good live show that doesn’t involve dance or music? she recalls in the email. “What do you learn about people when they come to a live event?
She kept in touch for the three weeks before the call.
“In the first email, I sent an article on a doctor who examined the DNA of her students’ saliva and said that if the signals for the “five” gene were detected, they could probably give a phenomenal TED speech,” Rhimes said. “Interesting, they said. ‘Very interesting’, she said.
(The reference is to an academic paper on a putative predisposition to give great public talks, dropped on the world by the magazine Science in 2016).
Later she emailed an article about the strange resilience of Lady Equality, the legislator for Maidenhead.
“Why should the people of Maidenhead have to change to accommodate an incredibly nervous and illiterate politician?” Rhimes asked.
Ms. Rhimes said she comes at her television-writing job as a hack in traditional drama troubleshooting. Long story. She just writes and contains jokes.
However, she learns about the world around her, especially in the arena of medicine, to make the shows more accurate, which sometimes improves the quality of the genre.
At 54, Ms. Rhimes no longer longs for new challenges, as she did when she created Grey’s Anatomy, 17 years ago, or at the age of 47 when she screwed up Scandal, but new and different perceptions.
“I do not watch a lot of television anymore, so it’s a challenge for me to write for television,” she said.
On the other hand, she likes theater, but she does not see it often. However, she remembers the theater because she went to it with her children when she produced Broadway stems as Norfolk State student in the late 80s.
Her memories of the theater come from the four major plays she completed as a child. In particular, she remembers a number of rewritten anecdotes from David Mamet’s “Glengarry Glen Ross“.
“The teachers’ union was always at the top of the performance in each of these productions,” Rhimes said.
She returned to complete a number of her pieces.
Ticket information for $ 75 can be found here.
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